Documentary on Newfoundland :: essays research papers

Canada is internationally recognized for its excellence in documentary film, and in recent years several of Canadas finest documentary makers have come from this province. close to of them work primarily in Newfoundland and Labrador while others take their cameras around the world. Their films frequently tell highly personal stories that reflect universal themes, and many are characterized by an unmistakable passion for grass-roots politics, social change and human rights.For n primaeval of this century Newfoundland and Labrador stories and events were interpreted through the eyes of visiting filmmakers. Producers from Great Britain and the unite States arrived as early as 1907 to do sketch pieces about hunting, fishing and wildlife. The National Film Board of Canada (N.F.B.) made several short films here in the 1940s and came regularly after Confederation, eventually building a library of over 100 films about the province. Local directors and producers did not tot up to th at library until the 1980s.A few Newfoundlanders were shooting footage in these early years, entirely usually out of personal interest and with no intention of creating register films. Finished projects by local cameramen and editors began to appear after the second humankind War. They included The Golden Jubilee of Archbishop Roach (1947) by W.J. Ryan and The Land We Love (1955), a travelogue of the Avalon Peninsula by Len Earle.By the late 1960s the CBC and CJON television set stations were filming news, entertainment and information programs. Memorial Universitys Extension assistant established a "media unit" to make educational films and documentaries and record solid public events. The unit also worked with the NFB on several projects, including a serial publication of short films on Fogo Island that incorporated input and feedback from local residents.CJON at Buckmasters Circle, 1952. knucklebones Squires loads CJONs mobile transmitter van in preparation for an e ventful outside broadcast.Photo by C.F. Ruggles. From Newfoundland Radio in Pictures, 1952 (St. Johns, Nfld Guardian Press, 1952) 43.(51 kb)In the early 1970s the first generation of independent filmmakers was beginning to emerge. fourteen of them formed the Newfoundland Independent Filmmakers Cooperative (NIFCO) in 1975. although dedicated to the making of prominent and artistic films, NIFCO has also been vital to the development of a home-grown documentary industry.The early NIFCO documentaries focus on the provinces history and heritage and are only a few minutes long. Stones Cove (1980) profiles a resettled community through coetaneous footage and old photographs. Dig At Cow Head (1982) is a brief portrait of an archaeological dig.